nung masiraan ng bait ang manunulat
Thursday, July 29, 2010Minsan naiisip ko medyo baliw nga ako. Kasi nung nabalitaan kong namatay si Heath Ledger, tinawag ko ang kaluluwa niya. Sabi ko, ‘Tol, dito ka na lang tumambay kasama ko.’ Naglalaro kasi ang ideya sa utak ko, na pwede ko siya maging musa. Matalino naman yun eh. Bukod dun,crush ko siya nung mga panahong siya si Patrick Verona. Ewan ko ah, pero seryoso talaga ako when I tried to summon his spirit–kasi malamang he was at an unrest sa mga panahong yun.Naisip ko baka malungkot siya.Naisip ko pwede ako maging ‘medium,’ kakausapin ko si Matilda para di siya malungkot. Pagkakataon ko na din na masabi kay Michelle Williams na ayaw ko kay Jen, dahil ang debosyon ko ay para kay Joey Potter lamang. Pero, marahil, hindi ko rin sabihin yon. Nagluluksa pa siya eh.
Nung pinaniwala ko ang sarili kong posible ngang rumesponde siya, naisip ko yung mga pelikula kung saan nakikipag-usap sa ghost yung bida. Mukha silang tanga. Para silang baliw. Sabi ko, ok yun ah. Ok sakin yun. Alam mo kung bakit ok? Kasi sampu sa mga taong nakapalibot sa’yo, dadalawa lang yung may kwentang kausap.
Mr. Cobb I Think I Need Your Services
There has been a general shortage of literary brainfarts.
Mr. Cobb, I need you to teach me how to guard my subconscious.
Meet me after midnight.
[I have this theory that someone has been stealing from me].
Let’s catch the motherfucker.
Dear Nikola
Friday, July 23, 2010My Darling Mr. Tesla,
If fate (or the science of time) had permitted it; if I had lived in the same century as yours, I would’ve been glad to walk with you — three times around the block — before entering a building. Leave it to me to ensure that they give you a room with a number divisible by three. Do not worry, I abhor pearl earrings & have no penchant for jewelry altogether. I respect your celibacy. That is perfectly fine by me.We can take a stroll & summon the pigeons.
Your happiness is my mirth.
Sincerely,
~ x ~
from Paris with love
Today I was thinking of a perfume I once had back in elementary. It was a present from Tita Fe (who was then in Paris), at a time when the post office could be trusted with little packages from Europe. I couldn’t remember the name but only knew that it sounded like Shelfari — the social networking site for bookworms. (and yes, I have an account).
So Mr. Google sorted it out for me.The scent is now discontinued, though.
I wish I had kept the bottle. The cap in this image is different, mine was clear & had the same color as the liquid. How precious it would be to still have it! Oh well. Moving houses, and Reming& whatever else… I’m bound to lose my Agatha Christies, the liquor & perfume bottles we sort of collected…
I might start a new collection: a poker chip from Macau (Miss Catie); a Phone box magnet from U.K. (Miss Donna); the team keychain from Invensys UK, the ‘Catherine’ keychain from Veto. . . Woah I feel much better despite the loss:
inceptiō | inceptus | incipere
Monday, July 19, 2010I have taken the precaution of not reading too much speculative reviews on Inception. Since the first glimpse of its brief teaser trailer last year, the anticipation just gnawed at me, as I believe, with the rest of the world.
From the last quarter of ‘09 until last Friday, when Inception was released internationally on conventional & IMAX theatres, movie sites have been buzzing unceasingly about this Nolan film which took around eight years to put together. The principal photography began June 2009 & was finished in November of the same year; however Nolan pitched the idea to WB soon after his 2002 film Insomnia.
It’s not surprising to welcome the success of this film, with Nolan as writer & director. He’s a very technical director with unconventional ideas. I’d like to think of him as a toned-down Burton & a modern Scorcese. He’s sensible enough to not be afraid of cinematic limitations; and all the while, recognizing the boundary of elegant filming & extravagant-to-quixotic visual effects.
Inception opens with impressive prosthetics on an aged Ken Watanabe (who plays Saito). This is part of a scene on the last quarter of the film’s run. The idea is extremely novel, and that adds up to the film’s prestige. The first scenes show Dom Cobb (DiCaprio) and his team as they fail on an extraction job involving Saito (Watanabe); the latter reveals later that he was aware of the dream & the intended extraction because it was all an ‘audition’ for another more convoluted job: Inception.
Saito wants them to plant an idea unto Robert Fischer’s (Cillian Murphy) head that would cause the downfall of Maurice Fischer’s (Robert’s father) empire. Saito & Fischer are corporate rivals.
Cobb takes Saito’s offer and assembles his own team, in exchange for his return to his country as a vindicated man.
As lookers-on to this phantasmagoric world, we are introduced to the idea that 5 minutes in the real world feels like an hour in a a dream. Cobb’s team plots to do the ‘inception’ as the young Fischer is travelling from Sydney to LA on a ten-hour flight.
Believing everything is in place, they undertake the dream within a dream mission, going down three layers as opposed to the usual & much safer 2-layer dream invasion. Within the first layer they are confronted by ‘projections,’ apparently, Fischer has had training on guarding his subconscious mind. The first layer is an inner city, experiencing a heavy downpour.
They managed to initially thwart the assault from Fischer’s defenses, and they go another level down: a hotel. In this level they convinced Fischer to go under as well.
The third dream level was on a snowy mountain fortress and would reveal the ‘idea’ to Fischer.
All the while, Cobb was torn between keeping his dead wife’s memory alive & fighting to get back to his children. This struggle was not known to his team, save for Ariadne, who dared go into Cobb’s subconscious one evening while they were preparing for the ‘anti-heist.’ Mal (Marion Cotillard) is The Shade, a figure constantly interfering in Cobb’s dream state, compromising their mission. And she does, on the third dream level, as Fischer was just about to enter the code & find out the contents of the vault. Mal takes Fischer into her ‘world.’
Ariadne, The Architect (Ellen Page) & Cobb are forced to go another level deeper, deviating from the plan. Here, Ariadne successfully retrieves the subject of inception –Fischer; and Cobb was able to finally let Mal go. It is revealed to us that Cobb believed inception was possible, because he had first-hand experience. The Shade was always in his dreams because it was his guilt eating at him for causing confusion which ultimately led to Mal’s suicide.
Almost three quarters of the film, which runs 148 minutes in total, are spent in the dream world. The sequences are so engrossing you might forget the reality that they are all, in fact, just inside a semi-private plane snoozing. The film has us holding our breaths as we fear for their ‘lives.’ The suspense was at its height when their dreamselves needed to be woken up from the bottom level so that consequently, they can be awakened from slumber in the real world.
Notable scenes that had me awestruck were the zero gravity scenes with Joseph Gordon-Levitt grappling the ‘projections’ in the hotel corridors, and him bundling up the unconscious team members and loading them into the elevators to ensure ‘the kick’ with the aid of explosives.
The part where Cobb introduces Ariadne to the dream world–the scenes offered in the teaser trailer–where she pondered on altering the physics of it; is another object for praise. Nolan has succeeded in presenting us with something so impossible and magnificent, it may well be the first time we’ve beheld such beauty in an otherwise frightening scenario.
In true Nolan fashion, he leaves the fate of Dom Cobb on our hands. Did the top cease spinning? Was he on a different realm or on the real world, when finally he was reunited with his children?
Inception has defied physics and challenges the dimensions of the world as we know it, and the vortex that is our subconscious. It will go down in time as one of the best in conceptual, directorial & visual aspects; thus, the LA Times has dubbed it ‘Hollywood’s first existential heist movie.’
In a nutshell: it is revolutionary. Its novelty should earn Nolan the Oscar his genius so dexterously attracts.
*See posts below for Inception posters, billboards & character posters*
.: coordinates :.
Tuesday, July 6, 2010I found myself in the pantry, standing by the clear glass windows. The building faced a major road, and cars’ hoods glinted in the afternoon sun. A flyover ran right above that road. From where I stood cars were but toys, and people were minute, agile ants, harrassed by the heat of the pavement. All this I was seeing from my office window. The view was almost blocked by the trees, and then I felt the world mocking me…as I stood there inside, looking at the swaying of the trees. I felt as if I was only entitled to look at its beauty; to look at it but never to feel the breeze that made them dance. To gaze outside and see the sky, the roads crossing, the branches submitting to the wind, to look & behold all that glory, but never to dance amongst it.
It was unsettling to stand there in the stillness of a walled off place and see the outside elements entice you to join them.
But I had the tumbler in my hand, replenished with water. And that was my purpose for visiting the pantry. There was a cubicle waiting to entomb me.
I had to take leave.
what I’ve been doin’ at work
Thursday, July 1, 2010what I’ve been doin’/reading at work—
Agatha Christie | The Secret Adversary
In the meantime, the Young Adventurers were sitting bolt upright, very stiff and ill at ease, in a taxi which, with a singular lack of originality, was also returning to the Ritz via Regent’s Park.
A terrible constraint seemed to have settled down between them. Without quite knowing what had happened, everything seemed changed. They were tongue-tied–paralysed. All the old camaraderie was gone.
Tuppence could think of nothing to say.
Tommy was equally afflicted.
They sat very straight and forbore to look at each other.
At last Tuppence made a desperate effort.
“Rather fun, wasn’t it?”
“Rather.”
Another silence.
“I like Julius,” essayed Tuppence again.
Tommy was suddenly galvanized into life.
“You’re not going to marry him, do you hear?” he said dictatorially. “I forbid it.”
“Oh!” said Tuppence meekly.
“Absolutely, you understand.”
“He doesn’t want to marry me–he really only asked me out of kindness.”
“That’s not very likely,” scoffed Tommy.
“It’s quite true. He’s head over ears in love with Jane. I expect he’s proposing to her now.”
“She’ll do for him very nicely,” said Tommy condescendingly.
“Don’t you think she’s the most lovely creature you’ve ever seen?”
“Oh, I dare say.”
“But I suppose you prefer sterling worth,” said Tuppence demurely.
“I–oh, dash it all, Tuppence, you know!”
“I like your uncle, Tommy,” said Tuppence, hastily creating a diversion. “By the way, what are you going to do, accept Mr. Carter’s offer of a Government job, or accept Julius’s invitation and take a richly remunerated post in America on his ranch?”
“I shall stick to the old ship, I think, though it’s awfully good of Hersheimmer. But I feel you’d be more at home in London.”
“I don’t see where I come in.”
“I do,” said Tommy positively.
Tuppence stole a glance at him sideways.
“There’s the money, too,” she observed thoughtfully.
“What money?”
“We’re going to get a cheque each. Mr. Carter told me so.”
“Did you ask how much?” inquired Tommy sarcastically.
“Yes,” said Tuppence triumphantly. “But I shan’t tell you.”
“Tuppence, you are the limit!”
“It has been fun, hasn’t it, Tommy? I do hope we shall have lots more adventures.”
“You’re insatiable, Tuppence. I’ve had quite enough adventures for the present.”
“Well, shopping is almost as good,” said Tuppence dreamily.
“Think of buying old furniture, and bright carpets, and futurist silk curtains, and a polished dining-table, and a divan with lots of cushions ”
“Hold hard,” said Tommy. “What’s all this for?”
“Possibly a house–but I think a flat.”
“Whose flat?”
“You think I mind saying it, but I don’t in the least! Ours, so there!”
“You darling!” cried Tommy, his arms tightly round her. “I was determined to make you say it. I owe you something for the relentless way you’ve squashed me whenever I’ve tried to be sentimental.”
Tuppence raised her face to his. The taxi proceeded on its course round the north side of Regent’s Park.
“You haven’t really proposed now,” pointed out Tuppence. “Not what our grandmothers would call a proposal. But after listening to a rotten one like Julius’s, I’m inclined to let you off.”
“You won’t be able to get out of marrying me, so don’t you think it.”
“What fun it will be,” responded Tuppence. “Marriage is called all sorts of things, a haven, and a refuge, and a crowning glory, and a state of bondage, and lots more. But do you know what I think it is?”
“What?”
“A sport!”
“And a damned good sport too,” said Tommy.
About the Author
The blogger, female, has recently discovered that she could not be a disciple-to-no one.
Notice the transition from morose to pathetically smitten.
Give her a break. We all falter.
The lucky ones, happily so.
iWriteLike
Search
Prose, Poetry & general Dementia
Click on the tag: 'thekoalaproject'
|
|
|
V
See Tag Cloud Below
Tag Cloud
~lost cybersouls~
Warning mo*F*cks
Monthly Archives
Sponsored Links
have a virtual handshake
Byline-hungry and famished-looking, I am Daria heavily made-up with the paleness of Marie Curie. Go on, psycho-analyze me...
Latest Items
Most Popular
Recent Photo
the prequel to this blog
Latest Comments
- microstore financement: this is one of the...
- discipletonone: I had Spidey in mind...
- jacarizo: "Nor am I too happy...
- discipletonone: tita fe! thanks! [this non-fair-skinned...
- fe benito: ket, you're great, I'll...















